poli wrote:haha, pa nisi, ali kao da jesi.
kako ne kapiras?
ne kapiram, glup sam, objasni, nacrtaj, nesto uradi za Boga miloga...
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dajte neki film!!!Moderator: moderator Re: dajte neki film!!!
ne kapiram, glup sam, objasni, nacrtaj, nesto uradi za Boga miloga... disco cancer
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Re: dajte neki film!!!mene samo zanima gde je tharkun?verovatno sad drema da bi mogao da izadje vecheras prokletnik
![]() epic.
Re: dajte neki film!!!
nacrtala jel kapiras sad? New No New Age Advanced Ambient Motor Music Machine
Re: dajte neki film!!!@poli
rispekt!
Re: dajte neki film!!!![]() http://www.imdb.com/title/tt0062138/ For one thing, POINT BLANK, directed by British director John Boorman, has all the good looks of the various movements of the European New Wave, but walks the walk and talks the talk of an American thriller, and I mean that as a good thing. Boorman's brilliantly composed combination of European artfulness with film-noir elements make for an exceptionally rich and multi-layered crime thriller. Lee Marvin, in typically emotionless fashion, is the remorseless Walker who, after pulling off a successful heist from the mob, is double-crossed, shot and left for dead in the now abandoned Alcatraz prison by his wife (Sharon Acker) and his partner-in-crime (John Vernon). Walker survives, escapes and moves to LA, where he kills his way up the ladder of a vaguely defined organized crime syndicate called "The Organization", hardly distinguishable from a legitimate cooperate business, in order to get his $93,000, occasionally aided by his sister, Chris (a great Angie Dickinson), who seems to know Walker's targets pretty well. Philip Wisethrop's widescreen compositions are absolutely stunning. One of the most impressive scenes is when Walker is fighting two hoods in a nightclub, against a swirling psychedelic backdrop, to the strains of the R&B houseband, with its black singer hysterically shouting letting the mostly white clientèle shout with him in his microphone. But every scene is a marvel to watch, with every detail painstakingly composed without getting stiff or forced in any way. Even the car windows are almost unrealistically spotless, in order to film Walker through the glass with the reflections of the city on his face. The film is packed with all kinds of surreal surroundings and lots of flashbacks concerning Walker's past. Boorman's games with narrative time, with extensive use of echoing flashbacks and jump-cuts, are the perfect reflection of Walker's dream-like struggle for justice, He's the typical tragic (noir)-hero, in a perpetual struggle to grasp what happened to him. He desperately tries to comprehend the situation he's in, but hasn't got a clue who's who and his outdated moral codes make him seem an even bigger anomaly in the modern corporate world he works his way into. Whether this is all actually happening or it's all a mind-spin inside Walker's head is impossible to say. Best to enjoy the ride in this true genre classic, definitely one of the best American thrillers of the '60s. If you get the chance, watch it together with Melville's LE SAMOURAI (1967) and Seijun Suzuki's BRANDED TO KILL (1967), in many ways its French and Japanese counterparts. epic.
Re: dajte neki film!!!
(kapiram da je ovo najbolje sto mogu da dobijem od objasnjenja) disco cancer
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Re: dajte neki film!!!jadno se svadjate
ulozhicu sav svoj trud koji obichno troshim na pomoc zheni da spremi gajbu kako bih doveo poli sledeceg petka u kc grad picemo rakiju&smejati se ne prihvatam ne kao odgovor niti vino 'mesto viskija shta sam sad rekao ![]() epic.
Re: dajte neki film!!!ma razumeo si ti, milane.
jer ti ustvari nisi glup. samo si drkadzija. evo ti film ![]() http://www.imdb.com/title/tt0082736/ nisu krave, ni trudnice u tundri, tako da ce ti sesti kad budes vodio zamisljenje razgovore sa dobrim ribama koje otkidaju na tvoj sarm. uzivaj :* dule, vreme je da pijemo ![]() ali avaj, poli je van bg-a trenuntno. e sad. ovih dana cu da pecem sa caletom sljivu. idi sad, spremaj gajbu, a javim ti se kad dodjem sa litrom domace. vredi? New No New Age Advanced Ambient Motor Music Machine
Re: dajte neki film!!!
Dule, ovakav entuzijazam prevazilazi norme intelektualne eticnosti. Trudis se da budes u sredini necega sto po prirodi (postovanja) nema nikakve logike. S jedne strane imas pateticnu i napadno emotivnu streberku (ili streberke, ima ih vise ovde i sve su, na zalost, skoro pa identicne sa njihovim problemima) koja je verovatno bila najniza ili najruznija riba u razredu pa je ucenjem pokusavala da nadomesti sopstvene nasilno nametnute socijalne nedostatke, kasnije se smotala sa forumskim inventarom i to je verovatno sve sto zna o seksu, iskonstruisano na labavim mediokritetskim temeljima. Kad takvoj osobi bacis povratnu loptu u nadi da ce umeti da se snadje na terenu, ona krene da faulira igrace u sopstvenoj zadnjoj liniji (malo sira metafora, daleko sam od njenog tima, samo imam solidan pogled sa tribine). Sa druge strane imas drkadziju (ovo je mozda i jedino tacno), ili ono sto se dalo videti iz prilozenog a vec toliko puta izvakano i otrcano da je imbecilno komentarisati. Zato kazem, ako je ono gore najbolje sto moze da se dobije od objasnjenja, onda se povlacim pred ljudskom gluposcu. I rest my case. Go Super(flyin') Cow, go! disco cancer
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Re: dajte neki film!!!hahaha, ali ja uopšte nisam ružna.
a nisam ni štreberka, mada bih volela da jesam. dok, s druge strane, ja znam kako ti izgledaš. hajde, pričaj nam malo o tvom pozamašnom seksualnom iskustvu. potpuno je nebitno da li je forumski inventar ili ne. i slobodno koristi metafore. New No New Age Advanced Ambient Motor Music Machine
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