hapss wrote:Christian Wunsch / Bas Mooy / Inigo Kennedy - Biometric Visas Format: 12" Record Label: Audio Assault Catalog#: AAR 035 Style: Techno Country: Netherlands Release date: 2010 (not out yet.)
Total: 4 tracks A1 Christian Wunsch Toxic Affairs A2 Christian Wunsch Toxic Affairs ( remix Bas Mooy ) B1 Christian Wunsch Black Horizon B2 Christian Wunsch Black Horizon ( remix Inigo Kennedy )
Regis Christ Superstar - Delivered Into The Hands Of Indifference repress sa malim izmenama http://hardwax.com/23057/
New release on Teskoba Recordings brings a fresh new serbian artist (Tesk) to the label as the sixth release ventures into the realms of more modern techno sounds.Tesk tracks bring a distinctive tribal atmosphere to the dancefloor, ridden with pure organic space sounds , while the percusions are taking you to a hypnotic dance state. Third track of the release is a remix from Concrete djz and while keeping the hypnotic feel of the original track , concrete djz put this one to the darker side, taking the atmosphere a level deeper . Dark ,spaced out morphing theme along with a brutal set of metalic crunchy percusions .
Detroit techno pioneer Robert Hood has announced that he will release a heavily conceptual new album this spring on his own M-Plant records.
Entitled Omega, the record was written and produced as a soundtrack to one of Hood's favorite films, a 1971 sci-fi film called The Omega Man. Based on Richard Matheson's 1954 novel I Am Legend (which was re-adapted to the screen in 2007 with Will Smith), The Omega Man starred Charlton Heston as Colonel Robert Neville, the survivor of a biological war between China and The Soviet Union. Neville believes he is the only human left on earth, and his entire life is an ongoing battle with The Family, a race of nocturnal mutants determined to wipe out what remains of technological society.
The Omega Man has always been a massive inspiration to Hood, artistically as well as spiritually. "Ever since I saw that movie as a child, it has haunted me," he says. In an interview with FACT Magazine, Hood said the film is "definitely metaphoric and if we don't heed the signs, this is where we'll end up." He went on to explain: "We live in a society where we just consume. We just take... We don't operate on the concept of giving. When we go to raves or to holidays, we see it only as an opportunity to consume, but not to give input."
The album will play out exactly as if it were The Omega Man's musical score, which is precisely how Hood conceived it. "I just imagined myself if I were commissioned to do this soundtrack. What would it be like?" Omega will be preceded this March by a single release.
Robert Hood will release Omega this spring on M-Plant.
"When SSG's first invisaged a mix series, the fundamental thing we agreed on was that the artists we chose chould be given a blank canvas: using a single mp3 file, preferably at 320, we just asked people whose music we love to make us something, anything. Well, actually, an almost blank canvas. We did insist on a few conditions, which were these: go deep, follow your sound, make an emotional connection. I’ve been really staggered by how positively people have responded to this over the course of the series. Not only have Chris and I been really blown away by how may of our favourite artists have agreed to be part of the project, but the quality and diversity of the mixes has been, I hope you’ll all agree, truly fucking magnificent and constantly surprising. And now, well, what can I say? Redshape has come up with the goods, managing to do ‘all of the above’ as well as take the series in his own inimitable direction, with a mix that is boisterous, playful, and that reveals, to me at least, a whole bunch of different clues to the different parts of the redshaped world. I won’t spoil the ride further by describing the scenery in detail, sufficed to say – this one’s a doozy. Ladies, gentleman, machines, and other forms of extraterrestrial intelligence who are tuned in, we give you... Mr Shape."
hapss wrote:Christian Wunsch / Bas Mooy / Inigo Kennedy - Biometric Visas Format: 12" Record Label: Audio Assault Catalog#: AAR 035 Style: Techno Country: Netherlands Release date: 2010 (not out yet.)
Total: 4 tracks A1 Christian Wunsch Toxic Affairs A2 Christian Wunsch Toxic Affairs ( remix Bas Mooy ) B1 Christian Wunsch Black Horizon B2 Christian Wunsch Black Horizon ( remix Inigo Kennedy )
Regis Christ Superstar - Delivered Into The Hands Of Indifference repress sa malim izmenama http://hardwax.com/23057/
New release on Teskoba Recordings brings a fresh new serbian artist (Tesk) to the label as the sixth release ventures into the realms of more modern techno sounds.Tesk tracks bring a distinctive tribal atmosphere to the dancefloor, ridden with pure organic space sounds , while the percusions are taking you to a hypnotic dance state. Third track of the release is a remix from Concrete djz and while keeping the hypnotic feel of the original track , concrete djz put this one to the darker side, taking the atmosphere a level deeper . Dark ,spaced out morphing theme along with a brutal set of metalic crunchy percusions .
Detroit techno pioneer Robert Hood has announced that he will release a heavily conceptual new album this spring on his own M-Plant records.
Entitled Omega, the record was written and produced as a soundtrack to one of Hood's favorite films, a 1971 sci-fi film called The Omega Man. Based on Richard Matheson's 1954 novel I Am Legend (which was re-adapted to the screen in 2007 with Will Smith), The Omega Man starred Charlton Heston as Colonel Robert Neville, the survivor of a biological war between China and The Soviet Union. Neville believes he is the only human left on earth, and his entire life is an ongoing battle with The Family, a race of nocturnal mutants determined to wipe out what remains of technological society.
The Omega Man has always been a massive inspiration to Hood, artistically as well as spiritually. "Ever since I saw that movie as a child, it has haunted me," he says. In an interview with FACT Magazine, Hood said the film is "definitely metaphoric and if we don't heed the signs, this is where we'll end up." He went on to explain: "We live in a society where we just consume. We just take... We don't operate on the concept of giving. When we go to raves or to holidays, we see it only as an opportunity to consume, but not to give input."
The album will play out exactly as if it were The Omega Man's musical score, which is precisely how Hood conceived it. "I just imagined myself if I were commissioned to do this soundtrack. What would it be like?" Omega will be preceded this March by a single release.
Robert Hood will release Omega this spring on M-Plant.
"When SSG's first invisaged a mix series, the fundamental thing we agreed on was that the artists we chose chould be given a blank canvas: using a single mp3 file, preferably at 320, we just asked people whose music we love to make us something, anything. Well, actually, an almost blank canvas. We did insist on a few conditions, which were these: go deep, follow your sound, make an emotional connection. I’ve been really staggered by how positively people have responded to this over the course of the series. Not only have Chris and I been really blown away by how may of our favourite artists have agreed to be part of the project, but the quality and diversity of the mixes has been, I hope you’ll all agree, truly fucking magnificent and constantly surprising. And now, well, what can I say? Redshape has come up with the goods, managing to do ‘all of the above’ as well as take the series in his own inimitable direction, with a mix that is boisterous, playful, and that reveals, to me at least, a whole bunch of different clues to the different parts of the redshaped world. I won’t spoil the ride further by describing the scenery in detail, sufficed to say – this one’s a doozy. Ladies, gentleman, machines, and other forms of extraterrestrial intelligence who are tuned in, we give you... Mr Shape."
Sjajan je Phase baš ovih dana uživam u njegovoj produkciji Inače evo malo novina od The Black Dog
The Black Dog will release their latest album on Soma Recordings later this year.
Entitled Music For Real Airports, the album combines new music with segments from over 200 hours of field recordings from airports in an effort to explore the ideas and associations that people have with them today. "Some members of The Black Dog were disappointed by Eno's treatment of the subject in 1979 and have been considering how to produce a more meaningful response ever since," reads a statement issued by the band. "Airports have some of the glossiest surfaces in modern culture, but the fear underneath remains. Hence this record is not a utilitarian accompaniment to airports, in the sense of reinforcing the false utopia and fake idealism of air travel. Unlike Eno's Music for Airports, this is not a record to be used by airport authorities to lull their customers."
Although the drone-based first section of the record could be considered ambient, the album's second half sees the group explore dubstep-influenced beats and intense dark percussion before things settle down again. The Black Dog will also perform music from Music For Real Airports in Sheffield next Tuesday at the city's Millenium Gallery. The event for the Sensoria festival is a multimedia collaboration with interactive visual artists Human, and will be the first time that it has been performed live. Those who can't attend can always pick up the music on CD or triple-vinyl when it comes out in May.
Tracklist 01. M1 02. Terminal EMA 03. DISinformation Desk 04. Passport Control 05. Wait Behind This Line 06. Empty Seat Calculations 07. Strip Light Hate 08. Future Delay Thinking 09. Lounge 10. Delay 9 11. Sleep Deprivation 1 12. Sleep Deprivation 2 13. He Knows 14. Business Car Park 9
